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being me, stationery, things of beauty

Schleiper Creative

I was in Brussels a few weeks ago looking up the European Union’s open house event. When I was europeanunioned out, I took a trip to an art supply shop called Schleiper. When I say it was by some distance the best art supply shop I have ever been in, I am being deadly serious. None of the art supply shops in Dublin come even close. Schleiper is heaven to someone like me.

Schleiper covers my notepad needs, my coloured pencil needs and my watercolour and sketch pad needs. If I hadn’t flown hand luggage only, I’d most likely have done quite a bit more damage than I did. As it was, I picked up two A5+ notebooks that I use for my diary but with MOAR pages (note to self: well stocked up on diary notepads for around 5 years) mainly because I just can’t get them here. I gazed wantingly at the wall of Atoma notebook supplies. I really wanted loads of that too but the purposes for which I’d want them isn’t yet clear and there’s no point in doing the shopping until you know exactly what you want.

They had the best supply of painting gear that I’ve seen. Easels, canvases, paints, the lot. And they were good on coloured pencils too.

In the end, I bought what I call a handbag sketch book (because the ones I like are not commonly obtainable at the moment). This is a sketchbook that I keep in my handbag and basically sketch into with a fineliner pen when I’m, oh, queuing to get on a pen, wandering around a museum and such. I’m not very good at drawing and so I need to practise. It’s easier to do that if you have a sketchpad to hand all the time. A5 is the biggest I get in my handbag but it’s that bit too big. The next size down that I find in Ireland is too small.

This is somewhere between too small and too big so I like it. I haven’t finished out the current (fiasco of a) A5 but I’m getting close and so…I had to force myself not to buy several of these small ones but I’m angling to go back there within six months (by which time I should have run out of handbag sketching supplies) and will…do the needful at that time.

On the coloured pencil front, I was prudent and with the balance of hindsight, this was a mistake as Schleiper had a discount sale the day I was there and I think they knocked 20% off what I bought. I really should have gone straight back in and … I bought an 18 pencil box of Pablo pencils as I wanted some dry coloured pencils. In truth, I should have bought all the other things I have.

My personal view of the staff in Schleiper is that they are unfailingly polite and very helpful. In addition to the pencil and paper stuff I wanted, they had notebooks (which I didn’t know I needed and which makes any stationery shop in Dublin look like a village store) and supplies for absolutely every other creative activity you could want including cake decorating, knitting, chocolate making sewing, and every type of paper based art.

I fully recommend the place if you can find it. It’s not too far from the European Parliament in Brussels.

annoyances, living in ireland, music

2015 – Dublin International Piano Competition

This is just a brief note. I was at the finals of the Dublin International Piano Competition the other evening.

There were four finalists, including one who had been in the finals three years ago. I missed most of the early rounds so my judgment really is based on what I heard in the finals.

My personal view is that the most promising of the four was a 20 year old American called Alex Beyer who played Beethoven. After that, I would have given a toss between Catherina Grewe and Nathalia Millstein. In the end, the jury went with Ms Millstein. I hope I am spelling the names correctly.

In terms of the music we heard, there was a preponderance (as usual) of Russian concertos, with only Beyer venturing too far west to Beethoven. In general, four very good performances, and to be fair, Nathalia Millstein did a technically very precise rendition of Prokofiev 2. I am not a fan of Prokofiev’s piano music, it must be said.

What annoyed me most, however, was nothing to do with the stage, but the behaviour of the audience. One pair got up and left – from the middle of a near front row – in the middle of the first performance. Someone else had a mobile phone text message in the middle of the third performance. A significant number of people arrived sufficiently late that they were not allowed in until the second performance. Over the course of the evening, a lot of people saw fit to leave mid performance.

Dublin has one of the finest piano competitions in the world. It would be nice if it wasn’t taken for granted. John O’Connor has ended the last two pleading for money.

 

being me, living in ireland

Open days in Ireland

A couple of weeks ago, I went to Brussels to have a look at some of the European institutions’ open day events (mostly I stayed with the European Commission). You had to queue to get in but mostly, the queues went quickly and there was a lot to see and visit. One of the things which struck me is that perhaps, we could look at doing something like this in Ireland. We sort of do already but I don’t think many Irish people seriously buy into it.

On Saturdays, if you are so minded, you can go to the National Gallery, pick up a ticket and go and have a tour of Government Buildings and the Taoiseach’s Office. It wasn’t said, but if I remember rightly, those tours were instigated by Albert Reynolds when he was Taoiseach. Basically, you get an introduction and brief history of the building, a look at some of the noteworthy art pieces, a tour of the Taoiseach’s Office and a visit to the Cabinet Room. When I did it, only 8 people were on the tour and apart from the tour guide, I was the only Irish person.

Something I discovered during the week is that when the Dáil is not sitting, on weekdays, you can go to Leinster House for a tour. There are tours at 10.30 and 2.30 on non-sitting days. You need to go to the Kildare Street entrance 15 minutes ahead of tour time. I plan to do that some time soon as one of the things which struck me when I did the Government Buildings tour was that a similar tour of Leinster House would be desirable. But again, I am not sure how many people take up this opportunity. It is something which might be interesting to know.

That aside, however, I wonder what the impact on citizen political engagement might be if there was more access to the governing institutions; not just the Dail and Government buildings, but the various county councils and city halls as well.

being me, Europe, life in general, living in ireland

Open days at the European Institutions

Around 9 May every year, the European Institutions run an Open House event. If you’re in Dublin, you’ll find some events (this year food related) on the nearest work day (which on this occasion was Friday 8 May). If you can go to Brussels, and have an interest in the European institutions, it’s worth a trip.

Via Facebook, I was sent the SCIC agenda for the day. SCIC is that part of the European Commission which is responsible for conference and meeting organisation, and, for my purposes, the interpreting service. There were a few discussions on the table which I wanted to hear, and there also was an opportunity to hear a few Commissioners speak. We hear a lot about how distant Europe is and, if you never seek it out, it can be.

What struck me most about the day is this is something we could do in Ireland in some respects as well, not just from a European perspective, but from a civic interest in our country perspective.

A couple of talks stood out for me. I was impressed with Maroš Šefčovič’s discussion on energy policy unity. Marianne Thyssen also spoke comprehensively about youth unemployment. Both Commissioners took questions from the floor and in particular, an organisation with a specific interest in youth unemployment in Belgium took the opportunity to engage directly with Ms Thyssen. This is the sort of access which is often really not possible and yet I think there is a lot to be said for it.

However, possibly one of the more important ones was the presentation on the European budget. The budget for the European Union as a whole, is 145 billion euro. This compares very well to most national budgets (it’s less, for example, than the budget for Belgium itself). One of the key points this presentation highlighted is that we do not really know enough about how Europe works. I’d tend to agree with this for various reasons and I’ve wondered how we fix this when people are unwilling to recognise the difference between Europe, the European Union, The European Commission, The European Parliament, and the different pieces which make up the jigsaw.

Apart from that, the question of machine translation and the possibility of automated interpreting were discussed. As someone with more than a passing interest in both, I found those two presentations interesting although I had expected something different from the interpreting. In simple terms, we are closer to automated translation than to automated interpreting, and this does not surprise me based on my knowledge of artificial intelligence in both fields. A lot more work is required for voice/language recognition to even get automated interpreting off the ground and although there have been signal advances in machine translation, arguably, it is still somewhat limited in quality terms. It is very heavily dependent on a body of translation done and corrected by humans. Much of that is linked to our approach to natural language processing.

The presentations were in a number of languages and SCIC had a couple of teams of interpreters on hand to handle the meetings and presentations. Without wanting to go into that detail too much, they provided language channels in French, German, English and Dutch, and accepted speaker input in Latvian and Slovakian in addition. The conference room in question, the Schuman Room in the Berlaymont which is that iconic EU building which has been in geography school books since the 1980s, is a gorgeous room to work in (you can trust me on this), and they opened up 9 interpreting booths for people to have a go. If you know anyone who has even the remotest interest in interpreting, it is a golden opportunity. I did it although strictly speaking, I already knew how it was going to go. Which is basically fun.

Apart from the conference stuff, in the Commission, every DG had a stand with information. If you wanted to collect informative leaflets, books, and other bits and bobs, it was terrific. I was limited by hand luggage considerations so didn’t go completely wild. I favoured Eurostat’s publications however.

This was all the European Commission. It’s worth knowing that a 10 minute walk away, the European Parliament was running events for the day and across the road, the Council of the European Union had opened up access as well. I just didn’t have time to do it all.

I think there’s a lot to be said for events like this; events which open up access for European citizens. I found it interesting and informative, and it offered experiences that I think would benefit most young Europeans.

being me

Household logic fails

We don’t have what the Americans call a junk drawer. Actually, we even have fewer drawers than my mother has in her kitchen. We have four drawers which have, approximately, the following:

  • The most commonly used table cutlery plus some kitchen tools
  • Some more kitchen tools
  • The herbs and spices (in a shallow drawer is the only way to do this and the nice people at Schwartz are now putting labels on the top of the jars so win all round
  • the aprons, trays and a very nice aperitif dish set I picked up in France about 10 years ago. It has lighthouses on it.

The net result is that batteries are distributed around the house as are more batteries. Yesterday I found the string in the bottom of a bag that contains about 100 blank recordable CDs or DVDs. With some 3.25″ floppy disks. I don’t have much call for thread.

Some time ago, I decided that this wasn’t an ideal state of affairs, having not been able to find the spare batteries for the remote control again, and invested in one of those organising boxes. I had one for jewellery making stuff already but about 1000 American organising blogs talked about these boxes like they were the second coming of Christ. They recommended a particular one with adjustable walls on the interior which I could not get here.

I’m familiar with these boxes. Mostly in my life they have had screws in them. I grew up in a mechanic’s household. Anyway, I bought one at one of my local sources which was either Woodies, Home Store and More or some craft shop or other. Who knows, and into it I fed the useful things that most people put in junk drawers like the spare batteries from the remotes, the spare batteries for the kitchen timers, the spare USB cable for the camera or whatever else you want to plug into the computer. It was put safely and since then, I have had no difficulty finding batteries as required. Such as this morning when one of the timers became really illegible. I need to buy a couple of replacements for that but I digress.

At some stage on Friday night, one of the pictures in my own room fell down. I have no idea, and it must have gone down with a clatter because at least one of the pieces of art equipment under it has been broken. The pictures hang on 3M command strips and the picture in question is a large canvas of the sea off the Old Head of Kinsale with many stunning shades of blue. I love it, probably because it reminds me that however long I’ve been in Dublin, there is life outside the M50 and it is generally far more beautiful. I slept through the crash and wallop less than a metre from my head which, in one respect, is a bit sobering. Dripping taps wake me, as do the student parties 400m away on the other side of the estate.

So, I was reasonably sure I still had a few command strips * somewhere * but the logical place for them, the jewellery cum craft cum whatever you’re having yourself was completely devoid of them. I gritted my teeth and went to Tesco to get some. They had a variety which frankly looked a bit like Velcro but I risked it, got them home and discovered I had picked up that part of the range which was, in fact, a bit like Velcro, but not Velcro (probably because this wasn’t really Velcro, just a bit like Velcro but not like it at all). Either way, it wasn’t two sided sticky so…yeah. Bit of a problem there.

Today then, I went to Woodies, and stood, as you do, completely rumbled by the vast choice of Command strip products, frantically looking for spare strips like the one that was on the hook of the picture that fell down, gritted my teeth and bought a new set of hooks on the grounds that – and this pains me because it’s rarely true – they’d always be useful. I got some hooks for the inside of the wardrobe as well to hold things like those canvas bags we all have loads of now but can never find because they don’t have a home.

And rehung the picture, probably slightly at a different height, did the inside wardrobe hook, hung the bags and hoped none of them would fall.

Later, I decided that actually, the place mats that usually live with the stuff in the bottom drawer could possibly come out, and maybe the trays could do with being organised, discovered the aperitif dishes and idly wondered whether there was some other prettier use they could be put to.

And found 6 Command hooks with a dozen spare strips that would have saved me 16E in Woodies this morning if I had realised that in fact, although I thought I didn’t have a junk drawer, I did.

 

annoyances

Is your body beach ready?

The UK got into a bit of a tizz about an advertising campaign which ran posters in the London Underground lately. I think they might all be gone now – I don’t live in London – but basically, the consisted of a bikini clad model and an implication that you needed to have an acceptable body to be beach ready.

This is drivel of course, but it caused much debate, many columns on websites because of course, people just want to voice their opinion on stuff, and decry other people getting professionally insulted and all sorts of related good clickbait like that.

I found it depressing. I have been known to spend a significant amount of time on the beach and for my purposes, bikinis have been less than suitable.

Here’s why.

1) if you are carrying 24kg of camera equipment, the camera bag will wind up strafing at some point. It also rubs off sun protection cream which means your black Lowe Alpine camera bag does not get sunburnt, but you do, and what’s more, at those points which the camera bag will strafe. Hurty Hurty Hurt.

2) if you are going in the water taking photographs, it gets cold, no matter how sunny. Let me tell you, being cold and sunburned at the same time is a bad thing.

3) Putting on sun cream is horribly messy; invariably you miss bits and invariably you wind up sunburned. My personal preference is to cover up.

4) if you have decent breasts at all – by which I mean more noticeable than the sound of a feather falling in the night – bikinis are low on support.

So if being beach ready bodywise means being able to wear a little yellow bikini, the likelihood is that I will never find one that I feel comfortable in even if I was several sizes smaller because the whole breast thing, you see, and in any case, being beach body ready, in my case, means covering up completely so as to avoid getting sunburned.

In the meantime, the company concerned flog a meal replacement shake thing. I’ve never understood the attraction of them and I’ve never been convinced that they are a healthy option compared to eating a balanced food diet but that’s by way of a diversion. Ultimately, companies which flog things to make you want to change the way you look operate on reducing your self esteem and arguably, that’s what this does. In my view, attacking people’s self esteem is a healthy activity either but your mileage may variable. The issue I had with the discussions is they got down to a “we should be allowed to attack people’s self esteem to make them lose weight because being obese is not healthy”. Which leads me to think that a lot of people who post opinions below the line of major UK newspapers didn’t spend enough time in school. Attacking people in this way does not work for everyone, probably doesn’t even work for many of them at all.

Then there was the argument on whether the model looked healthy or not. I am not willing to make a call on that either. And then there was the argument about feminists and how stupid they were which seems to crop up on a regular basis. Naturally it was noted that the only people who were outraged by this were people a) who wouldn’t use the product and b) who weren’t beach body ready.

In many respects, it was all very dreary. I couldn’t even get behind the anti-campaigns, of people standing next to the poster who very clearly hadn’t been Photoshopped and weren’t a size 0 or whatever. Or the ones who voiced the view that “How to be beach body ready: go to a beach”

Mostly that’s because a) I wouldn’t use the product anyway: if you want liquid food, use fruit, a hand blender and some  yogurt. Throw in some nuts if that’s what grabs you. b) I don’t wear a bikini because they’re not really designed for women with breasts per se and c) even if I did, I couldn’t because I am extremely fair and the safest occasion on which I can prance around half naked tends to involve 100% cloud cover and driving rain. Which doesn’t sound like a lot of fun to be honest, when you think about it.

If I wanted to point one thing out about the whole beach body and bikini thing it would be this: in terms of avoiding sunburn, it is nowhere near as safe as simply covering up. And if you’re going to be covering up anyway, is there any need to half starve yourself by using meal replacement drinks in a mad bid to lose a lot of weight in a short space of time?

being me, stationery

Do not buy notebooks

There was a time I got by on one notebook, more or less, if we leave any study aside. I had a diary for my journal and that is it. Journal keeping is popular these days and there are sites which advise you on all sorts of journals you can have.

I started writing a journal more than 20 years ago, long before it was a popular tag on Pinterest and I have them all going back to then. Not currently organised the way I’d like, but there you have it. I’d like to say most of them are in Clairefontaine threadwound notebooks, but this is probably not quite true at the moment. I have not always been able to get Clairefontaine paper, so I estimate – wildly – that about half of them are in Clairefontaine threadwound notebooks, a few are in Paperblanks, and a few are in other random nice notebooks I’ve picked up over the last few years. Picking up nice notebooks was something I did, because I could only get the Clairefontaine threadwounds when I was in a civilised country that sells them, ie, France or Belgium. In fact, I don’t think I saw them the last time I was in Belgium but I wasn’t looking too hard.

You can get Clairefontaine notebooks, lined mainly, in Easons on O’Connell Street. You used to be able to get it in Swords as well. You can get some Clairefontaine notebooks in the Pen Corner. They also have Rhodia notebooks which are owned by the same outfit. I wouldn’t be telling you this if there wasn’t a reason I liked Clairefontaine, and, to some lesser extent, Rhodia. It’s really nice paper to write on – satin, pretty much, and unlike most other papers on the market, it will take a fountain pen without moaning. I have a pen habit which means I have a lot of good pens and about 2 thirds of the good pens are fountain pens of some description. The notebook I am currently using for my diary is not, however, a Clairefontaine threadwound grid notebook. It is a PaPaYa Art notebook, very much designed to be used as a journal by arty people. Every second page is lined. Every second page is blank. I draw (we’ll come to that in a second too) although my journal has generally been 99.99% text. Hand written. Using various pens, be they fountain pens, expensive ballpoint pens, or various other gel and fibre pens I’ve accumulated over the years.

The PaPaYa Art notebook is a hardback notebook, and it is gorgeous. It is called Day Dreaming. It’s the second one of their notebooks that I’ve bought and it will be the last for two reasons, one practical, one personal. I haven’t seen them anywhere lately – I bought the two I have in the Pen Corner – and secondly, the paper in this notebook bleeds through fountain pen ink. It’s basically unusable with a fountain pen. While I have a lot of beautiful ball point pens and am happy to use them for this one notebook, the fact remains that I expect my notebooks to be able to take slightly wet pens, ie, gel pens and especially medium nib Lamy fountain pens. This doesn’t cut it. I’m not going to moan, because to some extent, it’s just a notebook. I will take it out and re-read it in ten years time and think, Oh My God, was I really like that?

But the notebooks in my life are not limited to this any more. On my desk, there is a lovely copybook which I got in TK Maxx – it was one of a set of three and frankly it occurs to me i haven’t seen the other two around lately (hmmmm) – and it has near perfect paper in it and it takes fountain pen paper. I keep it so that I can keep a rough eye on what I’ve been achieving administratively. Every other effort I made to keep track of stuff like that, electronically, other diaries, has not been working. So I rolled that out to a separate notebook, which should basically be disposable. There are two workbooks on my desk, I have no idea why there are two because presumably only 1 is useful at any given time. They are born of a habit I built at my last job and they are technically a mix of a to do list, a calculation/working stuff out book, and an achievements list. Basically, if I am working on a technical project at any given time, I write out what it is I need to do, work how how I plan to do it, and sign it off as done. I used that system the whole way through my recent college course as well and it worked a treat.

I have what is called a common place book which is currently turning mostly into Treasa’s book of quotable quotes. It’s nowhere near full and the main reason for that is that actually other stuff I’d still in there like the odd interesting newspaper column and stuff requires glue which I don’t keep on my desk at the moment.

As I use notebooks for any one of the apparently thousand reasons that I use notebooks for, I find that different notebooks work appropriately for different tasks. This is not, I suppose unusual; they are different tools. I know some people rely heavily on small notebooks. I have a bunch of them. I find I don’t like using them. They rarely get finished. For my desk workbooks, I like what Clairefontaine call A4+ notebooks with perforated sheets. They are often difficult to get. For my journals, we know I like the A5ish thread wound 144 sheet notebooks. For both cases I favour gridded paper, something which has historically been very difficult to get in Ireland. The net result is I’m prone to buy lots of both when I see them, and then, because traditionally in Ireland, nice notebooks weren’t that easy to come across, nice notebooks when I see them. There’s a box in my storage room marked notebooks. I went up to it to day because I needed an A4 notebook for some interpreting related stuff. I tend to prefer spiral overbound notebooks for interpreting note taking – that’s a lay out preference which we will skip the details of for the moment. The box is full of notebooks in different sizes. Looking at some of them now, I can see I bought them, not because they were useful to me, but because they were pretty. This is problematic for me now.

One of them can go to a new life as a sketch book when I’ve finished the frankly horrible practice sketch books I got for pencil sketching lately (they weren’t expensive, they aren’t inspiring and blah). Two of them, no idea what I will do with them because they no longer fit any need in my life at all. There’s an array of Paperblanks and Clairefontaines which can go to diary support when I’ve finished the current one. When I say I am good for diaries for at least 4 years I am not joking. Unless I can find an alternative use for the Paperblanks, I’m not going to be using much Clairefontaine for the next few years on that front.

The Paperblanks notebooks are lovely notebooks, but deep down, I’d prefer to be writing the journal in Clairefontaine notebooks. The fact that they are beautiful makes it difficult to use them for some non-permanent purpose though, some throw out purpose. So I’m conflicted about them at the moment. I may work through the Clairefontaines first and decide later. I may wind up buying another 3 or 4 Clairefontaines to have. I don’t know. I can’t at the moment.

I also liked some of the Pantone smaller notebooks, so because I liked those, I picked up a few of them when I could, because supply is unreliable. And when I saw an A4 sized Pantone notebook suitable for designers I picked it up and never realised that it was really lousily lined. It’s not quite nice enough for me to say I would want it for some durable function. It will go to work at some stage, probably next one to be used before I hit the Clairefontaine A4+s and the couple of Rhodia A4+. I have a handful of A5 sized of both Rhodia and Clairefontaine which are more suited to planners or meeting notes so I will set them aside for that purpose.

And then, there are a couple of notebooks designed to be journals which I have no idea what to do with them because they don’t fit my needs as journals.

When I look at the contents of the box, and the contents of my desk, I realise that I really cannot afford to buy any more notebooks until I’ve worked through some of the ones I have hoarded. I hoard these things because in Ireland, decent notebooks can be hard enough to find.

I used to live in Brussels, and while I lived there, everyone in Ireland used to talk about how hard they’d find it to live close to so many chocolate shops. The street I lived on had three handmade chocolate shops alone. I set foot in them the day before I flew home for Christmas only. And this is the point, I think. When you have a steady supply of something essential, you don’t hoard it.

Ireland has improved on the notebook front lately and PaperBlanks are reasonably easily obtainable in any branch of Easons, and most branches of the Art and Hobby Store, for example. They aren’t cheap. Clairefontaine and Rhodia options are limited but exist. My needs aren’t really filled locally but I have enough of a supply at the moment to mean I don’t need notebooks in any sort of an urgent manner. And not only that, when I am buying notebooks in the future, I need to keep an eye on what I plan to use them for and not just the pretty.

life in general, living in ireland, technology, things of beauty, travel

Neolithic monuments in Ireland

20150415_142156
Newgrange is one of the highest profile historic sites which we have in the country and when most people talk about going to Newgrange, they mean they want to see this one.

When I go to Newgrange, I always go to Knowth as well. Yes, you can actually go into the passage in Newgrange, and yes, it’s extremely well done but it’s always very busy.

Knowth is generally much quieter and, on occasion, no matter how busy Newgrange might be, you might have the site at Knowth more or less to yourself. There’s a lot to be said for this.

Knowth is bigger than Newgrange, but it does not look anywhere near as perfect. It hasn’t been restored (or reconstructed) in the same way as Newgrange was, and some different decisions have been made about the site. A key one is the question of the quartz stone. At Newgrange, this was built up as a wall. At Knowth, the view was taken that it was probably a terrace around the entrances. I’ve mixed feelings. Certainly Newgrange looks more complete but….

That aside, the reason I would still favour Knowth over Newgrange is the art. Knowth has significantly more external art than Newgrange and it is stunning.

Yes, the entry stone for Newgrange is iconic:

20150415_142355

but then, there’s this:

20150415_155545

and this:

20150415_160718I find what’s around the base of Knowth simply to be on a scale which is borderline unimaginable at Newgrange.

I didn’t have time to go to Dowth yet and it’s not included amongst the options you can get to from Bru na Boinne. However, if you are interested in neolithic art in Ireland in that area, I would strongly recommend Knowth as a seriously underrated site. It is wonderful. You can actually look down the passageway although access down it is not permitted to the public and you can see some public access work done on the eastern end. You can also walk to the top of it and the view from it is quite impressive.

I find the whole idea of pre-history in Ireland fascinating. If you go to the National Museum on Kildare Street, you’ll find examples of 3 and 4 thousand year old jewellery which contains carvings not dissimilar to some of the carvings on these stones and it’s extraordinarily beautiful. I really do wonder about the societies that were able to access the gold, shape it, carve it. It seems to me those societies, however on a smaller scale than is currently on the case, must have been extremely sophisticated, particularly with respect to their ability to use tools to achieve tasks which would probably challenge us today.

 

 

 

book reviews

Ties to the past

I was looking for something light to read yesterday evening and I discovered that somehow I had missed an anthology of Maeve Binchy’s journalistic writing, called Maeve’s Times. So I picked it up because growing up, my first contact with Maeve Binchy was the book Light A Penny Candle. I was quite young when I read it, and I have to say it didn’t impact on me quite the way other books of hers did. If I had to pick two which resonated, I would pick Circle of Friends and The Glass Lake.

I am not the greatest fan of the Irish Times. I never have been. It seems to me very much to be a paper which rests heavily on emotional laurels. I never quite got the attraction of An Irishman’s Diary, and I didn’t see why the media world in Ireland saw fit to sanctify the outpourings of Kevin Myers. It was like a whole society that I just didn’t fit into. Much of Maeve Binchy’s writing fits into a narrative of classic Irish Times writers. Many people love it. I have mixed feelings about it. I do believe that a review of her novels would be significant in terms of an assessment of social mores in Ireland in the 1950s and 1960s. The problem is this collection of opinion pieces and journalism which Binchy wrote over a 40 year career has left me less than sated. I did not find it to be a particularly enjoyable book.

Part of it, I imagine, is a generational thing. Maeve Binchy started writing for the Irish Times well before I was born. Part of it is that I had and continue to have very different experiences. Many of the facets of Irish life that she describes are not my Irish life at all.

More than anything, she writes with an eye that focuses on the melancholy and the negative. There are few pieces in the book which do not end on some note of veiled criticism of some person or other. I found many of the pieces deeply saddening in some respects because the common thread is to be doing something wrong.

Maeve Binchy wrote a lengthy piece in 1994 about a man wishing not to go out because of the constant having to defend not drinking he’d have to do. She wrote at length about how he was wrong, how Ireland had changed and how sure no one would do that to him. The undercurrent the whole way through the piece was how wrong he was, how he didn’t know what he was talking about in this day and age.

The problem is, I have a lot of sympathy for that man. I’ll never know him, and he’s probably 40 years older than me. Given that my experience in Ireland is pretty much that people who do not drink alcohol have a long journey to go before people actually accept that, and this has been my experience the way straight through from 1990 to 2015, I find it difficult to believe that in 1994, there was a happy period when in fact, people accepted that other people didn’t drink. And when Maeve refuses to accept his views on the matter, it becomes clear that whatever the observations are based on, it may not actually be based on listening to other people. She absolutely discounts his experience. I tend to find that quite disquieting.

There are other features of the book which left darts of dissatisfaction. Maeve may have bought a passenger ticket at a ferry port to get access to people waiting for news of loved ones following the Herald of Free Enterprise accident but there is something mildly disquieting about trying to get at people who may not necessarily, want to be got at by journalists.

When you look at the book in a dispassionate manner, there is a strong focus on the gone-wrongness, from the earliest writing to the latest. Mostly, Maeve gives you the impression of people for whom things go wrong, or people whose actions she can cast and judge in a negative life. If I were to take away any message from her book, it is this: that in Ireland, there is a lot of unhappiness and and loneliness in Ireland. I don’t get a good takeaway message from a lot of her columns, be it about Nora and her trips to the airport, or the mother whose trips to Brown Thomas are disrupted by changes to that store. The woman was elderly. There is no person in that story who is given a kindly eye by Maeve, no understanding, no empathy. Just barbed comments about each of the women. More than one piece talked about different women who had become easy women. I realise that I may be looking at things through a very different prism compared to the lens available to Maeve at the time of writing…but one cannot fail to notice the strong stench of judgementalism coming out of the pores of stories about people whose emotional lives failed to be perfect

I found it all rather sad, to be honest. And when I stripped away the sadness, I realise that in many ways, Maeve Binchy did not describe the Dublin I knew. It may be a Dublin other people knew, or used to know. And she certainly didn’t describe the people I knew. Her Dublin may have been small; everyone knew everyone else. It never seems to have occurred to her that this says more about her than it does about Dublin.

 

 

 

annoyances, beauty product reviews

Choose Dove Beauty Products

Dove have rolled out a new campaign called #ChooseBeautiful. They’ve linked it with an “experiment” (ie, advertising campaign) whereby they classified two doors as Beautiful and Average and then watched what happened. Lots of women chose average, there were discussions about how it reflected how they felt about themselves, and then Dove suggested women concentrated on thinking they were beautiful. Lots of people on social media are talking about what a great campaign it is.

What people need to remember is this: Dove are not doing this for the good of women. They are doing it for the good of their bottom line. Most women get up in the morning and Are. They don’t expect, and shouldn’t have, to choose whether to go through a door marked Beautiful or Average. If it were me, I’d look at the doors and walk away. I’m not in the business of classifying myself one way or the other and the idea of a cosmetics company running an “experiment (ie, advertising campaign) where they can use my choice as a stick to beat me with (ie, you should choose beautiful, not average) and then use it as a hook for an advertising campaign makes me a bit sick. I don’t use Dove beauty products by the way. I should just mention that.

When I go to a shopping centre, I don’t expect to have to judge myself.

When I go to a shopping centre, I don’t expect to be used as a hook for advertising.

When you make people – not I am not saying women there – people choose a label for themselves, and when you only provide two labels for them, you are making them judge themselves within your framework. That is not a free choice; it’s manipulating their opinion.

Most people see themselves on a continuum, not either or .

Mashable called it a powerful experiment. If it is powerful, it is powerful in that it pushes women again to judge themselves by appearance and to judge themselves in terms of beautiful or not beautiful.

Feeling beautiful is one of those choices that women should feel empowered to make for themselves, every day.

Read more: http://designtaxi.com/news/374402/Dove-Challenges-Women-To-Choose-Beautiful-In-Social-Experiment/#ixzz3WiRKEsVq

But Dove isn’t empowering women. They are forcing women to make a choice between options which they may not on a day to day basis make. They are forcing women to define themselves in terms of their appearance within an extremely narrow choice of options.

And at the end of the day, Dove are not in the business of making women feel good about themselves. They are in the business of making women buy more Dove products.