Category Archives: being me

Small pleasures

I went bookshopping today. This does not automatically mean spending money although that happened today – but it is one of the few browsing pleasures left to me since all the record shops closed. I hope the pleasure is not lost to the children of the future.

I have a long book queue at the moment and I am gradually switching from twitter to books again. I have a kindle full of books and have come to the conclusion that while it’s handy to drag around 300 books with you in your handbag, the truth is, there are disadvantages. I tend to know that I am reading a book about something or other but these days, because I never see a book cover, I often might not know what the actual name of that book is, or who wrote it.

I don’t like this.

And okay, the instant gratification thing is good with the kindle but then I have three hundred books on it and I definitely have not read 300 books. The interface for managing those books sucks too. The interactive design of a bookshelf has yet to be improved on by the nice engineers at Amazon. I’d prefer the books.

Against that, I cleared a house in Dublin and books are heavy. I cleared out a lot of them – Chapters got a pile of my fantasy books, for example – and I dumped some more. It pains me to think of it. I’ve accumulated some books here but most of my books are in Cork, such as are left in my collection. I read the last Philip Pullman on my kindle; I regret not buying the physical book and probably will, when the next book in that trilogy came out. But buying books, because of the hell that was clearing out the house, is fraught with guilt. I will most definitely move house again, at some stage. I regret not having my own personal library, a lot of bookshelves and a gorgeous grand piano. But such is life.

The downside of e-readers, I think, is that it changes people’s relationships. As it happens, during the week, I received The New Silk Roads by Peter Frankopan, and read it while doing some business travel. I have since loaned it to someone whom I hope will find it as fascinating as I did. But…the only reason I could do that was because I had the physical book. You cannot do this with ebooks. And yet, actual books can create so many conversations.

It is never just the words on the page.

I spent some time reflecting about the difference in my life now (usually stressed, too much to do) and my life 20 years ago (Saturday’s lasted a long time and the summer seemed full of weekends) and realised that when I was 25 years old, I spent my time in FNAC and Virgin, perusing books and CDs. Well one of those pleasures is gone.

Amazon cannot replace this pleasure; the smell of new books. Its recommender has been desperate lately, and the curated selections of my local booksellers fascinate me. Alinea, possibly the most dangerous of the bookshops in Luxembourg, does a sterling job. If I had shelves enough, I could have spent 1000E on books. When I might find the time to read them might be questionable. But they had many, many books I wanted, many books which tugged at my heart.

Somewhere on Facebook, I saw a comment that said that buying craft supplies and actually crafting were two separate hobbies. I could attest to that for yarn, crochet hooks, paint, paper. I think it’s true for books as well. There is something very special about wandering around a bookshop, exploring. For this reason, on the short list of things I miss from Dublin, Hodges Figgis is up there after the Pen Corner and Pichet. Bookshops cannot survive on browsers along – one bookshop in Luxembourg closed last year and one of their managers told me they needed to be selling three times as many books.

The easiest way for me not to lose the other of my simple pleasures – browsing bookshops – is for me to buy books as well as browse bookshops.

For this reason, my Christmas present to myself will probably be some more bookshelves.

little idiosyncracies of mine: Mappa Mundi sketches

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This is from one of the 17th century globes in the Museo Coreo in St Mark’s Square in Venice. I took a lot of photographs of what I could find on what are basically hard to read 17th century globes.

These things fascinate me. They are remarkably beautiful but simple illustrations which you find on a lot of maps and globes of the era. We don’t put much effort into making our tools look beautiful these days I think.

 

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Anyway you’ll find an album of them in various stages of bluriness here.

they. are. lying.

It is just 25 minutes. 25 minutes out of your day. Can’t you just find 25 minutes to do a bit of sport and live better?

Argghh

Every time I go running, I think about this utterly predictable conversation. I had it with a gym instructor in Dublin too. It’s only an hour out of your day, Treasa.

It never is.

I spent most of the day cooped up in the apartment today and I hadn’t slept well last night. Eventually I decided to go out for a “run”. If my  Garmin were a human they’d be balled over in fits of laughter at my notion of a run but it’s a couple of months since I tried and that, along with the fact that wet leaves made a skating rink of my usual route meant that I wasn’t running very fast.

The actual run itself amounted to 27 minutes which is like yay. Usually I target around 25 minutes. It’s only 25 minutes.

But.

From the point that I decided to go running and put that decision into action, to the point that I was back dressed in human level clothes and ready to continue with the non-running focused part of my day took from 5.58 to 7.20.

The point is this: when you decide to go running, you have to change into running gear and when you come back from running, you have to change out of running gear, usually via a shower. Today the changing into running gear bit was fast. I’ve yet to meet a male running/gym instructor who has understood that getting into a sports bra is hard work. Today it took 30 seconds and that is ca 10 minutes faster than usual. I have breasts, end of.

The run itself wasn’t bad mostly because the yardstick I judge runs by, ie, this one run I did in August 2017 in a thunderstorm where I got drenched and wanted to hit many people by the end of it, was so much worse. This was a benign run, marked only by passing a police car at some stage, and realising that running on wet leaves on concrete was a bad idea. I didn’t run a whole pile of it; maybe more than I expected, a lot less than the last time. My reward was 3 blisters across both my ankles. I’ve run with the shoes in question before but in truth, I don’t much like them which is annoying as they are the latest model of the previous pair which I loved.

The run itself was 27 minutes, apparently 2.8 KM, and yes I know that’s basically walking pace, but it’s faster on average than the previous one even if I ran less of it. I’m not sure how I might be fitter as I haven’t been walking much since the whole tram thing came online.

I’m an organised person so the whole getting ready to go out running is sharp. The running gear is hanging at the end of my wardrobe, and my shoes are within reach. There is always a sports bra to hand along with running trousers and a top. I do not have to dig for anything. The running bag which I use to carry my phone, a bottle of water and  a copy of my identity papers just in case I ever get raped and or murdered is to hand and always ready. I always have a bottle water. Aside from getting into the sports bra, the prep is seamless and takes ten minutes.

The far end of the run involves a shower, drying up and tidying up the sports gear, making sure that there is a running kit ready to go the next time.

If you’re going to say to me that it’s only 25 minutes I can only assume that you don’t change out of normal clothes to go running and you don’t have a shower afterwards.

In other words, have you considered that you might smell at all?

Collecting stuff

Most people who know me know that I tend to start collecting things. Yesterday I was at the annual pre-Christmas vintage fair in Luxexpo – 12 months ago I picked up two nice antique pens, but six months ago the pricing hadn’t gotten a bit wiser and this time, I picked up an entry level Waterman for 10E. I haven’t checked it out yet and to be honest I’m not writing much with the fountain pens lately – mostly ballpoints.

During the year, though, in a fit of serious self indulgence, I bought a limited edition Caran d’Ache rotary pencil sharpener. Mostly I had coveted for a long while, but had been making do with a vast array of hand sharpeners varying in price. I have a frightening collection of them and erasers because when I lose art stuff, it’s nearly always an eraser or a sharpener. Many of the sharpeners are Faber Castells.

During a pre-period shopping fit though I bought the Staedler Mars Lumograph rotary sharpener as it was a) less expensive than the Caran d’Ache and b) not such a disaster if it didn’t work out. In particular, I had been having serious issues sharpening charcoal pencils. I don’t much liking charcoal blocks because they end up covering everything in black so I’d lean towards the pencils.

But not if I wrecked a bunch of sharpeners and several pencils trying to get an even remotely usable tip.

I figured if the Staedler could handle the Faber Castell charcoal pencils, I’d be a happy camper. It could and I decided that I’d buy the Caran d’Ache metal sharpener as clearly, the things were not useless. I must be the only person in the world who tested a ***E metal sharpener by checking out how a 30E plastic one behaved.

Anyway, rotary sharpeners are not things I previously cared that much about but now of course….things are different. The Caran d’Ache is a limited edition colour run; their rose gold – you see it on their rose gold 849s too – absolutely gorgeous, but the design is a fairly old design. I could have bought a grey one for less money but where is the fun in that.

When I was at a vintage fair in Venice during the year, I came across an Eberhard Faber one and thought, you know, rotary sharpeners would be an interesting esoteric thing to start collecting. I left that one behind as I just did not have room to carry it and common sense popped up. It had a hard battle yesterday in Luxembourg too as I came across two – one Dahle 55 and a Palm Sweden one (no, I had not heard of them either). I’m not really equipped to assess what sort of health these things are in, and there are more moving parts in them than there are in pens. I know how the pen restoration market operates. I couldn’t get quick research online at the vintage fair yesterday so I left the two behind. Both were rather beautiful looking pieces of engineering.

Later on, research took me to the sites of two sharpener collectors – there are a few. They had dated enough looking websites and both had at least 5000 – five thousand – sharpeners of all shapes – not just the rotary ones.

I started thinking about this in real terms. I have enough trouble with the stuff I own. I occasionally worry about the accumulation of things I create myself, like my diaries which are a record of the last 25 years of my life, and the art works which no sane person will ever want to buy, the doilies I crochet, the tapestries I stitch up.

I don’t really want a collection of stuff growing to 5000. I mean, I’m not sure exactly how many Caran D’Ache Ecridor and 849 ballpoints I have. I don’t buy all of them; I buy the ones I like (and the wretches have released 2 for Christmas which I must, must have).

Okay so it might be hard put to accumulate 5000 sharpeners but without a little discernment, what is the sense in mindlessly buying every sharpener that ever was? I use every pen I own, including the single most valuable antique.

The rosegold sharpener, limited and numbered, is clamped to my desk and used to sharpen non-carbon pencils (look, I ruined several cheap hand sharpeners with charcoal pencils so the Staedler can take care of the charcoal and pastel pencils). It handles my graphite and coloured pencils. These things are tools.

In addition to the rosegold, Caran d’Ache have previously issued black and red rotary sharpeners in metal, and there is the default grey one.

As a result, my shopping list for rotary sharpeners contains just three items, one of which is generally available and the other two of which are going to be a hassle to find.

And that will be it.

Concerto in C Minor – the piano site

I set up a new blog during the week – it isn’t like I have the time to maintain a load of content across several sites – but I also see the risk of flooding this site with a lot of things I wanted to write about which are more for my own self indulgence more than anything. Pianos in other words.

The site is here. There, I will ramble on about pianos, practising the piano, books I have read about practising the piano, music, sheet music, youtube videos of interest, concerts and things that annoy me on youtube and Facebook piano groups. You may find it interesting if you are interested in pianos. Otherwise, possibly not.

I’ve also thought about spinning off the art stuff but as there are background things around photo posting site changes and hosting of imagines, I will leave that for the time being.

Updates to Flickr

Flickr announced some changes lately. I have been a Pro subscriber for years and I have more than 13000 photographs on Flickr. Most of them are kitesurfing photographs.

The subscription cost for Flickr is going up (looks like it is about doubling) but against that there are some interesting looking deals. I’m not totally sorry to see the changes to the free product – I didn’t agree with some of Yahoo’s product decisions. One of the biggest hassles that Yahoo forced on the flickr community was Yahoo login. I hated it. Flickr tell us that will go away early next year. If I had to pick any concern, it is that I worry that Flickr will not support the community of artists and urban sketchers that use flickr as a shop front.

For a good chunk of the last 10 years, I used pix.ie until it effectively vanished, and then for the drawing stuff I tended to use Instagram mostly despite severe misgivings about the difference between their desktop product and their mobile product; issues around password retrieval and today, I couldn’t find embed code so I went to Flickr and uploaded the piece of artwork there [too].

One of the main reasons for this is Instagram’s algorithmic timeline and inline advertising. The downside of this is that I regularly miss posts by people I like and yet see the same ads multiple times. There are a bunch of artists I really like on Instagram but some of them are on behance and deviantart, and a good few are on flickr as well. I’m wondering how tied I am to the instagram community when there are communities which are more art and photography focused and less social network/data collection focused.

So as part of that, I’ve started the horrific job that is reorganising the flickr account – it is chaotic – and will start look at rebuilding my life on deviant and will see if I can get at my behance account. After that, I don’t know what will happen with instagram. I don’t know

An afternoon in London

I had a few hours free in London lately so I prioritised them to do a couple of wants and technically wants but really needs.

I went to the British Museum because I wanted to see the Rosetta Stone again. I remember the first time I saw it; pretty sure it wasn’t locked away in some sort of glass/acrylic jail cell. It’s a measure of how the world has changed I guess. Also, it is now subject to the Mona Lisa effect where crowds of people hoard around it and really you can’t get to see it in any comfort any more. Either way, I still went. For me, it is THE iconic thing in the British Museum. You can take the girl out of translation but possibly not translation out of the girl.

While I was there I hopped along to see the Lewis Chessmen. There are a few of them in the National Museum of Scotland in Edinburgh, but really, the bulk of them are in Bloomsbury. They really are worth a look – I think they are beautiful. I zipped by Sutton Hoo which used to be one of my go tos – obviously still is, and the German ship clock. Then I had a look at the Parthenon Marbles and the Assyrian wall hangings. Absolutely wonderful. I bought *some* stuff in the shop but not much.

After that I made my way to the main Fazioli dealer in London as I had heard a lot about those pianos but had never actually met one for real. So I dug out the address and went and had a look. Beautiful pianos, no doubt about it. I played a couple very, very briefly – I was really short on time – and while I would have favoured one piano over the other, I really regretted that I had not time to sit and learn to relax over one or other.

There were two main musts I wanted to achieve in London – one was new clothes for work – irritating as I am between sizes so this year’s acquisition of trousers will potentially need to be redone a second time before normal re-purchase – the other was acquisition of the Hanon piano technique book which I figured I’d find in Foyles.

I love Foyles Bookshop but because I was whistlestop touring the place, I went straight up to the sheet music section and found H.

It’s phenomenal. I could get lost in there. GIve me a ladder and I am happy. The classical stuff is kept in drawers which I could happily explore for hours. The Hanon was surprisingly unexpensive and now I have no excuse not to sort out my whole piano technique issues (later).

The last thing I did was go to L Cornelissen which is a fabulous old art supplies shop. It has lots and lots of drawer units which I really, really want.

I went to university in London but after a weekend there I’m not sure I could go back there to live. It’s stressful and crowded. My experience with Transport for London customer service in the face of lines closed for engineering works wasn’t great; the tubes are packed to sardine tin levels. I do regret that I did not get a chance to play the Platform 88 piano in Tottenham Court Road.

More keys…

I have a playlist on my phone called Music I am Learning.

I put it together when I tore the world apart looking for the transcription Alexandre Tharaud did of Dance of the Blessed Spirits, which is from Orfeo and Euridice by Gluck. There are a couple of transcriptions of it floating around; I had trouble tracking down this particular one which is on an album of encores that Tharaud put out a few years ago. There is some lovely stuff on it. The net result is I have a bunch of different recordings and arrangements of it, all in that playlist. I started adding other stuff to it.

At the moment, on repeat, is Comptine d’un autre été: l’Apres-midi. It’s by Yann Tiersen, and it, along with Sur Le Fil, are in the list of Music I am learning. I own two books of Yann Tiersen sheet music, and both pieces are in the first collection.

I live in a building with four apartments. There are pianos in three of the apartments; mine, upstairs and the top floor. Upstairs is also learning Yann Tiersen; also learning Compte d’un autre été, L’Apres Midi. She has had more time to devote to it, and I know from past experience of listening to her through the ceiling, that she is probably better at reading music than I am. For me there are challenges; I may dive into sight reading from time to time, but every new piece of music I have played lately I have learned by ear and arranged myself. Someone asked me for the transcription of one piece in particular, and now I find myself having to develop the skill to do this; I’m cheating by using an app on my phone. Much to my surprise, the technology to listen to an audio recording and transcribe it isn’t really there yet. So best that I do it by trial and error.

The recordings of the two Tiersen pieces I am learning are by Jeroen van Veen. There is something incredibly relaxing about them which, I think, is why I want to learn them. In an ideal world, I would get up at 6, and play for an hour and then face the rest of the day. The day job. The walk/bus to work. The weather. It isn’t happening because I tend to burn the midnight oil at the other end. But L’Apres Midi is not impossible to play and all told, repetition is what I need. It might help my fingers to toughen up.

Somewhere in one of my swimming instagrame accounts is a comment that if you really want to do something, you’ll find a way, if not you’ll find an excuse. I have many things I want to do. Maybe if I were single minded it would be better.

I ordered more sheet music tonight; transcriptions by Vyacheslav Gryuznov. I came across him on a concert recording from RTE Lyric where he had just played some Rachmaninoff. He did one of the transcriptions as an encore so I went investigating and discovered he had a album of them, along with published sheet music. I’d like to have a go at two pieces which I know are beyond me but there’s a freedom in trying stuff anyway even if you know it’s going to be hard. This is one of them:

I already know it’s going to be hard. But if I learned some of it, it would be great. I really wish I had all the time in the world.

I went looking at second hand pianos at the weekend. I’m kind of on a journey – I don’t expect it to end for a few years but some time ago I read The Piano Shop on the Left Bank and in it, he referred to some French manufacturers, including Erard and Pleyel. Two came up for sale so I went and had a look. They were both about 35 years old, both built in Germany by Schimmel, under licence, so it was hard for me to treat them as French pianos when they weren’t manufactured there. The dealer told me that Pleyels would be manufactured again, but in China. He was not positive about that prospect. It got me thinking – there is an ongoing debate about the difference between German and US built Steinways, for example, and also, there is some debate sometimes around the difference between Indonesian and Japanese built Yamahas.

Of the two German built pianos, I favoured the Erard although I believe it still had some servicing ahead of it.

Luxembourg has an annual project called My Urban Piano where they lodge a few pianos around the place – I played one of them before I went to play the Erard and I played another one when I came back. I’m hoping to find all 21 although time is running out for me and I am busy this weekend. I know that a piano went into Connolly Station in Dubin, so I think that means there is one in Heuston, Connolly and Pearse. I do love in Metz and Paris Est to go and play the pianos there. The piano in Paris Est is a decent enough Yamaha and appears to be in very good condition despite the hard life I imagine it has.

Where I live in Luxembourg, you can often hear the sound of a piano. It seems to be just done here that people learn and this might explain why it’s easier to hire digital pianos – something I just could not do in Ireland. I think it’s a good thing; I suppose I think people learning any musical instrument is a good thing.

For me, it helps me to dream. In the meantime, the Gryaznov book should arrive by the end of the week. I am so looking forward to finding out just how hard it is. And I am wondering about lessons again.

keys…

A couple of weeks ago, I played in public for the first time in many years. It was of mixed success so we will gloss over that. I played the piano.

I have a piano here in the apartment – it is a digital piano and I’ve rented it more or less since I moved in. Last week I had a mild yen to change it to a silent system upright so that on occasion I could get the feel of a real piano. I’m sure the manufacturers of digital pianos would grimace at the thought their pianos are not real pianos but there is a whole lot of vibrations missing. Digital pianos don’t touch the heart the way a strung instrument does. Anyway,  I wandered down to the piano shop to see about silent pianos – when you are hiring a piano you are at the mercy of what is available, and they did not have one which interested me on the occasion so the change of piano will have to wait. But it’s a piano shop full of acoustic pianos and usually, when I’m done talking business, I take a look at the pianos and play them for a while. I don’t allow myself to fall in love – or at least I say this to myself – but I’m lying.

For a very long time, my heart was given to an 1882 Bechstein which Pianos Plus in Dublin had in their show room – I don’t know if it is still there because it is almost 2 years since I was there – but I’ve always recognised that it and I were not destined for one another. It cost more than I could conceivably save for in while I was working in Ireland. I’ve generally assumed I would be ordering a brand new Kawai baby grand at some point. Mostly I have chosen not to like Yamahas or Steinways and on occasion I’ve come across second hand Kawais, about 30 years old which were beautiful pianos. I’ve always known that the piano will be a confluence of time, house, what’s available and how much money I have at that time so while I think it’s safe to assume a brand new Kawai is achievable, deep down I would prefer a slightly older piano. Leaving aside the chance that they can be less expensive as well, the fact is, they tend to be a little softer to the touch. One of the reasons I don’t like Yamahas is that I have played some very hard pianos. Resistant touch. I am not such a fan.

But against that, I’ve met some beautiful secondhand Yamahas, all at least 30 years old. Pianos Plus had what I think was a G3 – it was already sold when I got to touch it but it was a beautiful piano. Huebner in Trier had a beauty the last time I was in there and I think it was a G3 as well. Today, I played an S4 exdemo in Kleber in Luxembourg and it was a breathtakingly lovely instrument to play. If I had the required 40,000+ it was on its way to me but…I didn’t.

The thing is, it was not the piano I loved the most either today or last week. Kleber’s big Steinway concert grand was in the showroom – it wasn’t the last two times I was in there – so I asked if I could play it and that was okayed

I have a meh relationship with most of the Steinways I’ve played. I’ve played quite a few brand new baby grands, say around 6 feet – various model numbers but what they all had in common was they had an imperiously bright sound. Because they were brand new, I tended to find the keyboards stiff as well. In Dublin, it was much easier to turn to a 140 year old Bechstein whose keys were like extensions of my fingers. But I hadn’t ever played any of the big concert grands, the nine foot or so pianos. While the dream of a grand piano might be somewhat unicorn level in terms of dreams, I’m realistic to know that I’m unlikely to ever have a place I can justifiably put one. But something caused me to play this one because I could.

Unlike a lot of the Steinways I’ve played, it has a gloriously comforting sound. Wrapped around my soul. I truly fell in love with the piano which was unusual for me with a Steinway. I loved it enough to think, you know, I could actually see myself buying a Steinway grand if it felt like this. Coincidentally, there was a baby Steinway in the showroom too, a second hand one. I don’t remember seeing a build date but I’m willing to bet it was about 20 years old. The keys were not stiff and the sound was a soft enveloping sound rather than the very bright sharp sound I’ve been used to from pretty much every other Steinway I’ve ever played.

It gave me pause for consideration. I’ve at least 2-3 years before I can consider buying a forever piano so that gives me time to save. A secondhand Steinway is going to take a lot of saving and of course, it is never going to be a nine-foot concert behemoth. But I think, when the time comes, and I start the journey of selecting my piano, I’d like to have enough money that a second hand Steinway might be an option. So I need to start planning now.

Cold days in December

Today I added yet another sport to the list of sports I have tried. Today I tried curling.

Now, to be honest, when I woke this morning, I did not say “I must try curling”. I said “Where is all that bleeding snow MeteoLux has promised and why am I not seeing a blizzard”.  But life turns out interestingly, and somehow, I accidentally wound up trying curling.

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The new transport system went into operation in Luxembourg today – this means a brand new tram, a brand new funicular and all sorts of changes to the buses and rail system. The current changes don’t suit me at the moment – I’m moving from a direct bus to a bus and change to tram which is ludicrous for a 2km journey but sometime next year the tram will extend to where I live and I will have a direct tram journey to work which will be handy if somewhat sweaty for the height of summer. Today it was somewhere approximating the depths of winter as it snowed all morning and this evening, we’ve got gales to look forward to.

Anyway, here’s the funicular. It takes a minute to go from top to bottom and vice versa.

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And here’s a video of the trip up with some arty out of focus sections.

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I had trouble getting the video to work on the way down.

The tram was running, and to be frank, was packed but I suspect in part that’s because all of the useful buses have been re-routed.

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Tram in the winter sun.

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As part of their celebration stuff, they set up Luxembourg Curling club with a temporary (plastic) curling rink and you could have a go, if you were so inclined. I had a go. I had several goes. I have looked up the Olympic curling set up to see if I could like, compete for Ireland and it transpires I need four other Irish people with an interest in curling.

That might be a tall order. My options for Olympic greatness continue to be limited.

But curling is compelling.  It’s basically simple. Stand here, and give this circular stone thing an almighty shove up the rink and hope for the best that you get it into the circles. It took me 4 goes to shove it hard enough but so what. It was fun. In fact, I don’t know why it was fun given how simple it is. But it’s more fun than Candy Crush, that is for sure.

There is a curling club in Luxembourg. I’m going to join as the bunch who were there this afternoon were great fun, mad supportive and dead helpful. And they let me have quite a few goes.

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CFL, Luxembourg National Railways, also had an ice sculptor in.

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After all that excitement, I went off to Auchan (on the tram) (which was packed) to do my my grocery shopping in a shopping centre which was not that busy so I was in and out quickly. I also bought one Christmas present and looked at a watch which I want but will have to save up for.